📘 Ninklish
The Nink are a people whose speech differs from others; instead of conventional language, they communicate using bells and whistles. Their unique vocal abilities have led to the development of a language tailored to these sounds.
Notation
To facilitate the study of Ninklish, a specialized notation system has been created. The details of this system are documented below.
Solfage
Nink Solfage is a system that assigns unique symbols to musical phonemes, enabling the Nink to communicate using bells and whistles. Each phoneme (Do, Re, Mi, etc.) is represented by a specific letter, allowing for precise notation of their language.
Note |
Symbol |
Do |
D |
da |
d |
Re |
R |
ri |
r |
Mi |
M |
Fa |
F |
fi |
f |
So |
S |
su |
s |
Lu |
L |
le |
l |
Ti |
T |
Voice
Ninks communicate using two primary vocal modes: bell voice and whistle voice. These modes can be switched freely during conversation, and the notation system specifies which voice is active and indicates any changes between them.
Symbol |
Meaning |
(none) |
default Bell voice |
' |
Bell Voice |
* |
Whistle Voice |
DRM
: DoReMi in Bell voice
'DRM
: DoReMi in Bell voice
*DRM
: DoReMi in Whistle Voice
*D'RM
: Do in whistle voice, ReMi in Bell voice
Octave
Ninks typically communicate using a three-octave vocal range. Upon reaching adulthood, they gain a fourth octave, which can expand their range either lower or higher. Octave markers in the notation indicate when the vocal range shifts; all subsequent notes remain in the new octave until another marker changes it.
Octave Marker |
Semitone Shift |
\\ or¡¡ |
–24 (lower) |
\ or ¡ |
–12 (low) |
(none) or # |
+0 (natural) |
/ or ! |
+12 (high) |
// or !! |
+24 (higher) |
DRM
: DoReMi in natural octave
- ` /DRM ` : DoReMi in high octave
//DR#M
: DoRe in higher octave, Mi in natural cotave
D\R\\M
: Do in natural octave, Re in low octave, Mi in lower octave
Lenght
Ninks pronounce a note with a duration of 1 beat, typically at 140 bpm, though this tempo varies among individuals. They may shorten or lengthen notes as needed. The notation specifies the duration for each subsequent note.
Marker |
Duration |
none |
1 beat |
: |
½ beat |
:: |
¼ beat |
_ |
2 beats |
__ |
4 beats |
DRM
: DoReMi in 1 beat in lenght
DR:M
: DoRe are 1 beat each, Mi in half beat
::D::RM
: Do and Re in quarter beat, Mi in one beat
__DR_M
: Do in quad beat, Re in one beat, Mi in double beat
_DR:M
: Do in double beat, Re in one beat, Mi in half beat
Tempo
Term |
BPM Range |
Toll |
20 – 60 BPM |
Gong |
60 – 80 BPM |
Slide |
80 – 100 BPM |
peal |
100 – 140 BPM |
clash |
140 – 180 BPM |
trill |
180 – 220 BPM |
roll |
220 – 280 BPM |
Rest
Rests in Ninklish indicate pauses or silences between notes, allowing for rhythmic separation and phrasing in speech. A rest can be marked by a space or a dot (.
) in the notation. Multiple rests can be combined for longer pauses, and rests can be assigned durations using length markers, just like notes.
Marker |
Duration |
none |
1 rest |
. |
1 rest |
DRM
: DoReMi with no rests
DR M
: DoRe, rest, Mi
DR.M
: DoRe, rest, Mi
D.R..M
: Do, rest, Re, rest,rest, Mi
D.R_.M
: Do, rest, Re, double rest, Mi
D.R::.M
: Do, rest, Re, quarter rest, Mi
D.R:: M
: Do, rest, Re, quarter rest, Mi
D.R::.::M
: Do, rest, Re, quarter rest, quarter Mi
DoTi mode
By default, Nink notes are interpreted as words. However, there are situations where they need to represent something other than words. “DoTi” is a term in Ninklish that signals the following notes should be interpreted differently. DoTi mode continues until a double pause or a longer rest occurs, which ends the mode.
Mode |
Notation |
Numbers |
*:D:T |
Letters |
':D:T |
Nink Names |
':D*:T |
Foreign Names |
*:D':T |
Numbers *:D:T
Cardinal numbers are always conveyed in whistle voice and use the natural octave. They are primarily used for counting.
Note |
Digit |
d |
0 |
R |
1 |
r |
2 |
M |
3 |
F |
4 |
f |
5 |
S |
6 |
s |
7 |
L |
8 |
l |
9 |
*:D:T RrM
: 123
*:D:T l
: 9
*:D:T sd R
: 70, 1
*:D:T M M d
: 3, 3, 0
Letters ':D:T
Ninks use a distinct system for ordinal numbers, separate from their cardinal numbers. There are 26 ordinal levels, each mapped to a letter of the alphabet. Ordinals are always pronounced in bell voice and utilize notes from both the low and high octaves.
High |
letter |
|
Natural |
letter |
|
Low |
letter |
/S |
A |
|
l |
I |
|
\T |
S |
/f |
B |
|
L |
J |
|
\l |
T |
/F |
C |
|
s |
K |
|
\L |
U |
/M |
D |
|
S |
L |
|
\s |
V |
/r |
E |
|
f |
M |
|
\S |
W |
/R |
F |
|
F |
N |
|
\f |
X |
/d |
G |
|
M |
O |
|
\F |
Y |
/D |
H |
|
r |
P |
|
\M |
Z |
|
|
|
R |
Q |
|
|
|
|
|
|
d |
R |
|
|
|
':D:T /sdF
: ABC
':D:T \fFM
: XYZ
':D:T RMF
: QON
':D:T \Tl/s#d\l
: START
Nink Names ':D*:T
Nink names start with at least one order (letter), followed by a count (number) : D935, T983, B137, KR1574, A923, GW797.
':D*:T '/M#*lMf
: D935
':D*:T '\l#*lLM
: T983
':D*:T '/f#*RMs
: B137
':D*:T 'sd*Rfs
: KR157
':D*:T '/s#*lrM
: A923
':D*:T '/d\S#*sls
: GW797
Nink name normalization
Nink names are often normalized to make them easier to pronounce or remember. This can involve substituting parts of the name based on how they sound when spoken, or by using visual similarities between letters and numbers. For example, the number “4” resembles the letter “A” and, when pronounced, “four” can be used in place of “F” or “FO”.
D935
: Demitri
T983
: Tina
B137
: Birt
KR157
: Krista
A923
: Anya
GW797
: Gwen
Used to represent names of individuals who are not Nink. When encoding a foreign name, each vowel in the name is mapped to one or more corresponding notes, as shown in the table above. Any note associated with a vowel is valid, and the speaker may freely choose between bell or whistle voice for each note.
Vowel |
Options |
A |
d , F |
E |
R , l |
I |
r , M , f , T |
O |
D , S |
U |
s , L |
- Sara :
*:D':T dF
- Sara :
*:D':T /F'F
- Manuel :
*:D':T FsR
- Leonardo :
*:D':T lDFS
- Sonia :
*:D':T SMd
Voice Properties
Each Nink has unique properties that shape their vocal characteristics:
- Natural Tone: The root note for their voice, which determines their vocal range. This typically falls between A1 and C#7.
- Whistle Offset: The whistle voice’s root note is set as an offset from the bell voice’s natural tone, but must remain within the A1 to C#7 range.
- Developed Octave: Ninks possess three octaves by default. As they mature, they may gain a fourth octave, either higher or lower than their initial range.
- Full Range: Calculated from the natural tone, spanning –12 semitones for the lowest note and +23 for the highest. If a fourth octave is developed, –12 is added for a lower octave or +12 for a higher octave. The whistle range is derived by applying the whistle offset to the full range.
- Personal Shift: Ninks can modulate their voices by shifting their natural note, affecting both bell and whistle voices equally. This does not alter their full range. Attempting notes outside their range may strain their voice.
Name: D935 - “Dimitri”
Natural Tone: C3
Whistle Offset: 0
Fourth Octave: Higher
Full Range: C2 - B5
Pace: Trill
Note: He tends to Shift -4 when speaking to M174 - “Mila”
Grammar
the meaning of a base word can be changed by the manner the last note is pronounced. this is marked by an accent mark: ` ~ (tilde) ,
´ ` (acute) and `
(grave) marks. alternatively, “ := “,” :+ “, and “ :- “ can be appended after the modified note. This is used to indicate if the pronounciation of the note would be doubled, pitched up, or pitched down. in effect, the modified note in question is split from on beat to two half beats. the first half be note is the same as the original. the second half note is either the same note, one semitone higher, or one semitone lower.
Script |
Typed |
speech |
DRM̃ |
DRM:= |
DR:M:M |
DRḾ |
DRM:+ |
DR:M:F |
DRM̀ |
DRM:- |
DR:M:r |
while it depends on the root word, typically a double note indicates plural. it can also make it grater, bigger, or even the opposite. pitch up notes tend to signify agreement, good, increasing or one variant. pitched down indicated disagreement, bad, decreasing, or another variant.
Base Note |
Double (:=) |
Pitch Up (:+) |
Pitch Down (:-) |
D |
D̃ :D:D |
D́ :D:d |
D̀ :D:\T |
d |
d̃ :d:d |
d́ :d:R |
d̀ :d:D |
R |
R̃ :R:R |
Ŕ :R:r |
R̀ :R:d |
r |
r̃ :r:r |
ŕ :r:M |
r̀ :r:R |
M |
M̃ :M:M |
Ḿ :M:F |
M̀ :M:r |
F |
F̃ :F:F |
F́ :F:f |
F̀ :F:M |
f |
f̃ :f:f |
f́ :f:S |
f̀ :f:F |
S |
S̃ :S:S |
Ś :S:s |
S̀ :S:f |
s |
s̃ :s:s |
ś :s:L |
s̀ :s:S |
L |
L̃ :L:L |
Ĺ :L:l |
L̀ :L:s |
l |
l̃ :l:l |
ĺ :l:T |
l̀ :l:L |
T |
T̃ :T:T |
T́ :T:/D |
T̀ :T:l |
Vocabulary
one beat words
Word |
Base |
( := ) |
Double |
( :+ ) |
Pitch Up |
( :- ) |
Pitch Down |
D |
I / me |
:D:D |
we / us |
|
– |
|
– |
d |
you |
:d:d |
you all |
|
– |
|
– |
R |
he / she / it |
:R:R |
they / them |
|
– |
|
– |
r |
to speak/state |
|
– |
:r:M |
shout/born |
:r:R |
silence/die |
M |
to eat/drink |
|
– |
:M:F |
feast/heal |
:M:r |
starve/suffer |
F |
to hear/understand |
|
– |
:F:f |
no |
:F:M |
yes |
f |
and |
:f:f |
not |
:f:S |
or |
:f:F |
either |
S |
if |
:S:S |
while |
:S:s |
then |
:S:f |
else |
s |
to sense/experience |
|
– |
:s:L |
joy |
:s:S |
sad |
L |
to do/act/work |
|
– |
:L:l |
active/ awake |
:L:s |
laze/ rest |
l |
to possess/belong |
|
– |
:l:T |
receive/ take |
:l:L |
give/ lose |
T |
to stop/finish |
|
– |
:T:/D |
dont stop |
:T:l |
STOP NOW |
two beat words
Base Word |
Meaning |
( := ) |
Double |
( :+ ) |
Pitch Up |
( :- ) |
Pitch Down |
Dd |
friend |
D:d:d |
“friends” |
D:d:R |
“ally” |
D:d:D |
“frenemy” |
Rd |
rival |
R:d:d |
“rivals” |
R:d:R |
“challenger” |
R:d:D |
“enemy” |
MD |
food |
M:D:D |
“meal” |
M:D:d |
“delicious” |
M:D:\T |
“spoiled” |
sL |
water |
s:L:L |
“beverage” |
s:L:l |
“medicine” |
s:L:s |
“poison” |
lL |
tool |
l:L:L |
“tools” |
l:L:l |
“masterwork tool” |
l:L:s |
“broken tool” |
Dl |
home |
D:l:l |
“village” |
D:l:T |
“sanctuary” |
D:l:L |
“prison” |
ST |
day / light |
S:T:T |
“days” |
S:T:/D |
“dawn / morning” |
S:T:l |
“dusk / twilight” |
dr |
dark / night |
d:r:r |
“nights” |
d:r:M |
“midnight” |
d:r:R |
“shadow” |
sT |
sky / above |
s:T:T |
“skies” |
s:T:/D |
“heavens / zenith” |
s:T:l |
“storm / overcast” |
Lf |
land / ground |
L:f:f |
“lands” |
L:f:S |
“fertile ground” |
L:f:F |
“barren land” |
fS |
Sun |
f:S:S |
“Noon” |
f:S:s |
“Sunrise/ Morning” |
f:S:f |
“Sunset/ Twilight” |
Sf |
Moon / Full Moon |
S:f:f |
“New Moon” |
S:f:S |
“Waxing Moon / First Quarter” |
S:f:F |
“Waning Moon / Third Quarter” |
LR |
thought |
L:R:R |
“ideas” |
L:R:r |
“insight” |
L:R:d |
“confusion” |
TS |
time / present |
T:S:S |
“NOW” |
T:S:s |
“future” |
T:S:f |
“past” |
TT |
warning / danger |
T:T:T |
“calamity” |
T:T:/D |
“foreboding” |
T:T:l |
“all-clear / safety” |
LL |
parent |
L:L:L |
“family / clan” |
L:L:l |
“mother” |
L:L:s |
“father” |
DT |
(encode) shift |
|
(none) |
|
(none) |
|
(none) |
rM |
Warm Colors |
r:M:M |
orange |
r:M:F |
yellow |
r:M:r |
Red |
Mr |
Cool Colors |
M:r:r |
blue |
M:r:M |
purple |
M:r:R |
green |
Three Beat words
Word |
Base |
( := ) |
Double |
( :+ ) |
Pitch Up |
( :- ) |
Pitch Down |
lLl |
weapon |
|
– |
|
– |
|
– |
lLs |
instrument |
|
– |
|
– |
|
– |
RTR |
The North Tree |
|
– |
|
– |
|
– |
STS |
Eastern Cliffs |
|
– |
|
– |
|
– |
FTF |
Southern Falls |
|
– |
|
– |
|
– |
MTM |
West Caverns |
|
– |
|
– |
|
– |
WIP Notes
note |
base |
double |
Pitch Up |
Pitch down |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
English |
Singular |
|
Plural |
1st person |
I / me |
D |
we / us |
:D:D |
2nd person |
you |
d |
you all |
:d:d |
3rd person |
he / she |
R |
they / them |
:R:R |
Base Note |
Base Meaning |
Negative (:X:down ) |
Positive (:X:up ) |
F |
to hear/understand |
:F:M (“not hear”/no) |
:F:f (“hear”/yes) |
s |
to sense/experience |
:s:S (“lose,” sadness) |
:s:L (“win,” joy) |
R |
to speak/state |
:R:d (“silence/kill”) |
:R:r (“shout/born”) |
L |
to do/act/work |
:L:s (“laze/rest”) |
:L:l (“be active/awake”) |
l |
to possess/belong |
:l:L (“give/not have”) |
:l:T (“receive/acquire”) |
M |
to eat/drink |
:M:r (“starve/suffer”) |
:M:F (“feast/heal”) |
T |
to stop/finish |
:T:l (“don’t stop”) |
:T:/D (“STOP NOW”) |
Connector |
Notation |
Meaning |
and |
f |
conjunction |
or |
:f:S |
disjunction |
either (xor) |
:f:F |
exclusive or |
not |
:f:f |
negation |
Control |
Notation |
Meaning |
if |
S |
conditional “if …” |
then |
:S:s |
“then” |
else |
:S:f |
“else” |
while |
:S:S |
“while” (loop) |
Common Ninklish Words
Ninklish |
Meaning |
Plural (:X:X ) |
Pitch Up (Positive) |
Pitch Down (Negative) |
Dd |
friend |
D:d:d “friends” |
D:d:R “ally” |
D:d:D “frenemy” |
Rd |
rival |
R:d:d “rivals” |
R:d:R “challenger” |
R:d:D “enemy” |
MD |
food |
M:D:D “meals” |
M:D:d “delicious” |
M:D:T “spoiled” |
sL |
water |
s:L:L “beverages” |
s:L:l “medicine” |
s:L:s “poison” |
lL |
tool |
l:L:L “tools” |
(none) |
(none) |
Dl |
house / dwelling |
D:l:l “village” |
D:l:T “home” |
D:l:L “prison” |
ST |
day / light |
S:T:T “days” |
S:T:d “dawn” |
S:T:l “dusk” |
dr |
dark / night |
d:r:r “nights” |
d:r:M “midnight” |
d:r:R “daylight” |
sT |
sky / above |
s:T:T “skies” |
s:T:d “Calm” |
s:T:l “Windy” |
Lf |
land / ground / below |
L:f:f “lands” |
L:f:S “fertile ground” |
L:f:F “barren land” |
LR |
thought / to think |
L:R:R “ideas” |
L:R:r “insight” |
L:R:d “confusion” |
TS |
time / present |
T:S:S “NOW” |
T:S:s “future” |
T:S:f “past” |
TT |
warning / danger |
T:T:T “warnings” |
none |
none |
LL |
parent |
L:L:L “family” |
L:L:l “mother” |
L:L:s “father” |
DT |
(encode) shift |
none |
none |
none |
Clan Word |
Meaning |
Pattern |
Note Value |
Population |
Direction |
RTR |
The Tree |
Re–Ti–Re |
2–12–2 |
North Tree |
North |
MTM |
The Caverns |
Mi–Ti–Mi |
4–12–4 |
East Caverns |
East |
FTF |
The Waterfall |
Fa–Ti–Fa |
5–12–5 |
South Falls |
South |
STS |
The Cliff |
So–Ti–So |
7–12–7 |
West Cliffs |
West |
|
water |
DSR |
|
DS:R:S |
|
friend |
MRS |
|
MR:S:S |
|
enemy |
sRf |
|
sR:f:f |